Experience Vista !

On January 30,2007, It was released worldwide to the general public, and was made available for purchase and downloading from Microsoft's Website.The release of Windows Vista comes more than five years after the introduction of its processed Windows XP.

Elegant Windows Aero Desktop Experiences corroborate and share documents.

Some Snaps of Windows Vista

Windows Explorer in Vista

Windows Media Player 11

Windows Update with Ultimate Extras

Screenshot of Main

Visual Effects

Vista Mobility Centre

The Taj Mahal

The Taj Mahal was built under the patronage of Shah Jahan in the loving memory of his wife.The 1983 UNESCO inscription praises the Taj Mahal as 'A Masterpiece of Human Creative Genius'.Built in the 17th Century, The Taj Mahal is one of the best-known landmarks of Mughal architecture.

Situated in Agra,India

A Short Poem on Taj Mahal

Said the king all broken-hearted

For his loved and loving wife,

"Since God willed that we should be parted

By the woe of human life,

Lest the world should e'er forget her

This good wife so dear to me,

In a fair tomb I will set her,

So that she remembered be."

And  the King all-broken hearted

Sought for workmen full of skill

Who would raise of her,departed

A fair bomb, with the brain and will.

And the built it white and shining,

Flawless, matchless in its grace,

While the king in sorrow pining,

Saw it raised in its place.

Saw it through has bitter grieving

Never less but ever new,

For no comfort e'er receiving 

In his sorrow aged he grew;

Till his eyes grown dim with weeping,

Closed for ever on this life,

And they laid him there fast sleeping

By his loved and loving wife.

But the Taj, the tale still telling

Stands in Agra city great,

White and Shinning, all excelling

In its beauty and its state

The JuDo HisTory !

The Famous One's Of JUDO 

It is referred to as the “gentle way,” but to watch the world renowned ‘sport’ of Judo in action would make anyone insist that ‘gentleness’ is a very distance relative. Developed by Jigoro Kano, who in 1882 opened the Kodokan in Japan to teach and further the art of Judo, this relatively ‘new,’ in martial arts years, form of fighting has survived many a fad and thrives today. Most of the common man’s exposure to Judo has been in the cinema and the Olympic games, which first became a formal competition event in the 1964 games in Tokyo. But for what most see, there is much more that lies beneath. Training in Judo creates building blocks to success, and teaches fundamentals to live by and ultimately a way of life to embrace. It not only mirrors life, but also prepares us for it.

Contrary to popular belief, Judo is not just a sport, but a complete martial art form, a defensive and offensive system, which links the mental, spiritual and physical aspects and adheres them to the artist. A distinct connection between these three aspects is what makes Judo more than just the ‘sport’ we often see, but a genuine combative martial art coupled with a spiritual journey. Segmented and classified into three primary groups of techniques: Nage Waza (Throwing), Katame Waza (Grappling) and Atemi Waza (Striking), which is only used in self defense applications, Judo addresses training in a well structured manner. Body control (Taisabaki) and foot movement (Shintai) are also essentials built into the system along with setting up your opponent (Tsukuri) with efficient application of technique (Kake). This purest combination of means is what Judo strives to be. Through vigorous training and astute discipline, one can not only achieve great fighting skills, but also in turn gain an enormous amount of self-awareness, confidence and respect for oneself. It is an everyday art form that lives and breaths in everyone who is touched by it. Judo in its purest form transcends the ‘sport’ aspect that has at times over shadowed the martial art itself. Although the competition facet has grown to be the main cog for today’s practitioner (Judo ka), they must never lose sight of the art, its origin or ideals. In the competition ring, the Judo ka is strapped with rules that in real life situations are considered limitations. The tournament is a competitive platform that teaches the student strategy, efficiency, strengths and weaknesses and what total commitment really means. Simply put, it’s a chess match. Though at times, the competition ring can be a reflection of what adversity may lie before us in our everyday life and teaches us how to overcome obstacles that seem insurmountable and how to tame our very own ego that can sometimes hinder us. Though advantageous at times, competition can be a pitfall if one is not careful. The pitfall being a false sense of martial truth, which can make a practitioner unbalanced and mislead him down a deceptive path of security. Win, lose or draw, competition is not real combat. It’s intense, tough, and scary at times, but it is clearly not the street nor is it a life or death situation. It is a place to learn, test skills and develop insight to self. Competition should be used as a training ground, a tool. It is here where character should be developed. As one embarks on the journey of tournament competition, he or she will face not only an opponent on the opposite side of the ring, but also opposition, conflict and at times uncertainty from within. This is where inner strength and fortitude hatches, where training in the spirit of those who have walked this conduit of knowledge before us inspires, and where art becomes practical and applicable. It is a training ground where winning and losing makes us better people. It should not disillusion, it should enhance. The ring symbolizes what we allow or needed it to be. We are not to live for the tournament, but rather prosper through it. Judo with all its high impact throwing techniques and submissions is based on concepts far beyond the average individuals comprehension.  It is here where Jigoro Kano separated himself from the norm and taught us to yield to strength, blend with ones opponent, to redirect and feel energy and subdue with maximum efficiency. Note that the intent or motivation of an attack, throw or a submission technique is not to cause damage to the opponent, but to control. This principal of control comes from many a spiritual man who has realized that in order to defeat what lies before you, you must first open yourself to oneself and examine your own inner mechanism with consistent honesty and reverence. Judo can show us that perspective is an important element that should be included in ones training. Many believe that by just drilling, one can learn how to throw, but nothing can be further from the truth. One can also better his skills through visualizing, seeking out dynamic principals and the science of Judo or by repeatedly being on the receiving end of a throw, submission hold or choke. The art of Judo teaches us about ‘intent’ and ‘balance’ which are aspects often overlooked. These concepts are a direct reflection of who we are as people and Judo ka, and why we train. It should never be our ‘intent’ to harm an opponent, be it in the street or in competition, but to off balance, subdue, control and ultimately retain our safety.  One of the advantages of Judo is the “hands on” sensitivity and energy transfer. Translated or basically defined, ‘grip fighting’ (kumikata). Judo allows us to place our hands on an opponent thus getting the sensation of ‘intent’ if we permit ourselves to feel it. Keeping the mind free and the spirit positive allows us a positive energy transfer and opens us up to ‘actual intent.’ Sensing an adversary’s ‘intent’ is essential to any martial artist and will help him develop that ‘third eye,’ so to speak. This sense can be nurtured through self-evaluation in the spirit of honesty. One must review the path he has chosen and in the true light of Judo and the code of Bushido decode the reason for his practice. The term ‘balance’ is often used in Judo. In randori (free practice) or sparring to the naked eye, the practitioner’s objective is to off balance his or her opponent and throw him cleanly off his feet. The term ‘break or off balance’ (kuzushi) is not only a physical reference, but also a state of mind. While gripping an opponent, the Judo ka must not only assess intent, and the physical aspects of combat, but also the mental factors. In a contest as in life, mental off balancing can cause an opponent to react negatively, pause, or question his position and intent thereby neutralizing defenses or delaying his attack. The result is often an opponent being tossed through the air or submitted. Sacrifice and commitment are two key elements that educate and help any practitioner achieve the goals they may have thought were unattainable. Judo requires the sacrifice of ones body to the art, and to their partner that they practice with on a daily basis. Through drilling with a partner, one learns to sacrifice his body by being thrown so that the thrower (tori) can try to perfect his skills. This allows the one being thrown (uke) to work on his break falling, breathing, relaxation and concentration techniques while trying to prevent the fear of being thrown to seep into his consciousness. Commitment to the art, and the betterment of the physical and mental self as well as the actual techniques, teaches one that ‘half way’ is never the ‘true way.’ Being committed to your art through regular practice is what makes one grow beyond his dreams and is what makes dreams into reality. Though the ‘sport’ of Judo is alive and well in the hearts of many worldwide, it is only a mere portion of the art itself. The totality of Judo in all its glory, not only trains an individual for tournaments and actual combat situations, but also for the trials life has in store. The road is long and well traveled with a myriad of rewards that can only be obtained through diligent practice and respect for oneself, the art and the world that he or she inhabits. The ‘true’ art of judo is a carefully structured and ever evolving form that is a lethal mixture of principals, theory, concepts, practice and for anyone who has ever graced the mat, it is where magic happens.

Special Content : The Father Of Pakistan , The Brave , The Great JINNAH

Father Of The Islamic Republic Of Pakistan

Mohammed Ali Jinnah, Pakistan's founder and Quaid-i-Azam, or great leader, was the exact opposite of Gandhi. Cosmopolitan, a successful and wealthy barrister, a fastidious dresser, alone and aloof, speaking mostly English, Jinnah dismissed his great rival as "that Hindu revivalist." He was appalled by Gandhi's mass agitation campaigns because they were illegal and unconstitutional, appealed to popular emotion and, in Jinnah's eyes, led only to chaos and division. His personality demanded a cool, cerebral response, working through legal and constitutional channels to bring about an end to British rule. His icy determination galvanized a community into following him toward his goal, Pakistan. It was the same determination, seen this time as obduracy, that so infuriated Gandhi, Nehru and Louis Mountbatten, Viceroy of India, who eventually accepted the division of Britain's greatest imperial possession into two sovereign countries--Pakistan and India. "Failure is a word unknown to me," Jinnah once commented.That steely resolve took him from self-imposed and prosperous exile in Britain in 1935 at the age of 58 to leadership of a new country 12 years later. One year after the partition of India and the birth of Pakistan, he was dead from cancer at age 71. He reshaped the Muslim League, a moribund organization of establishment figures, into a personal instrument, a highly politicized and disciplined party machine covering all parts of India's Muslim community. Its sweep of Muslim constituencies in the 1946 election, fought on a campaign of partition, ensured the creation of Pakistan when Britain quit the subcontinent.

Jinnah's Vision Of Pakistan:

For some years now, Quaid-e-Azam Jinnah's vision of Pakistan has been a source of controversy and conflict. Much of this has however tried to cut Jinnah to fit a predetermined image. A close look at Jinnah's long and chequered public life, encompassing some forty-four years (1904-48), helps determine the core values he was committed to throughout his political career.This paper examines how Jinnah’s politics evolved through main phases, which, though distinct, yet merged into the next, without sudden shifts. It analyses how his liberalism underwent an apparent paradigmatic shift from 1937 onwards, and led to him advocating the charismatic goal of Pakistan, and to elucidate it primarily in Islamic terms. Finally, the Islamic strain in his post independence pronouncements and his 11 August 1947 address is discussed, and an attempt made to reconcile it with his other pronouncements.

21.600000381469727px;">In the first phase of his public life (1904-20) three main influences shaped Jinnah's personality and politics Nineteenth century British liberalism, first absorbed during his four-years' (1892-96) stay in England as a student of law, The cosmopolitan atmosphere and mercantile background of metropolitan Bombay where he had established himself as an extremely successful barrister since the turn of the century, and

His close professional and personal contact with the Parsis, who, though only a tiny community provided an example of how initiative, enterprise and hard work could overcome numerical inferiority, racial prejudice and communal barriers.

These formative influences seem to have prompted Jinnah to join the Indian National Congress. Fashioned after liberal principles and cast in their mould, the Congress was at that time pledged to take India on the road to self-government through constitutional means. Soon enough, he rose high in its echelons, high enough to be its 'spokesman' for its representation to the Secretary of State on the reform of the India Council in May 1914. Jinnah believed in moderation, gradualism, ordered progress, evolutionary politics, democratic norms, and above all, in constitutionalism. When the Congress sought to abandon these liberal principles in 1920 and opted for revolution and extra constitutional methods, he walked out of the Congress for good.

End of the Year 2012 ~ !

Lets Hope For a Good End of the Year and a Great start to the Next One